| Geoffrey Pugen is an artist experimenting at the intersection of technology and nature through video, photo and installation. Thematically, Pugen contemplates speculative futures, transhumanism, the impact of nature on society and conflicts between the virtual and the real. His most recent sculptural work integrates video screen technology into architectural forms, creating spatially-synced multi-screen installations. His work has been exhibited at the Museum of Contemporary Art, Toronto, Transmediale, Berlin, WRO Biennial in Poland, Bienal De La Imagen En Movimiento, Buenos Aires, Internationale Kurzfilmtage Oberhausen, Rotterdam Film Festival. He is a recipient of the K.M Hunter Award for Interdisciplinary Art. |
- Jera MacPherson, “States of Collapse,” Galleries West, February 22, 2021.
- Marilyn Adlington, “Geoffrey Pugen, Weather Room,” Public #61, Winter 2021.
- Tyler Muzzin, “The Apocalypse is Selective, Not Total: Geoffrey Pugen’s Disanthropic Moment,” MOMUS, February 4, 2020.
- Barry N. Neuman, “Looking Back At Neuspiel & Pugen’s 2011 Borg-McEnroe Wimbledon Tie-break Performance,” White Hot Magazine, July 2018.
- Sam Cotter, “White Condo,” Canadian Art, Winter 2016.
- Terence Dick, “Geoffrey Pugen at MKG127, Toronto,” Akimbo, July 28, 2015.
- Murray Whyte, “The Tie Break: Nuit Blanche spectacle comes in from the cold,” Toronto Star, January 14, 2012.
- Gabrielle Moser, “Alex Kisilevich & Geoffrey Pugen,” Esse #73, Fall 2011.
- R.M. Vaughan, “Geoffrey Pugen’s vigilante women,” The Globe and Mail, March 26, 2011.
- Jen Hutton, “Geoffrey Pugen,” Artforum, February 2011.