In Here Comes the Night images of night are examined as physical and temporal spaces, in addition to conditions that exists within the psyche. The paintings in the exhibition treat darkness not as absence, but as a presence—one that reshapes colour, distorts scale, and heightens attention. Night becomes a setting where perception can slow down and shadows can assert their own form. Familiar places can feel oddly unfamiliar.

Through the works in the show, the night emerges almost as a psychological condition, rather than a simple occurrence or mood. The paintings evoke solitude, quiet observation, vulnerability, and anticipation, suggesting that night is a time when internal and external worlds briefly align. By focusing on moments that unfold after dark, the exhibition proposes night as a site of heightened awareness—where stillness, uncertainty, and imagination can coexist.